The WR-DA7 is one of the leaders of the digital mixer pack! You won't believe how much easier your musical life will become once you tap into the power of digital.

The WR-DA7 is extremely easy to use with unprecedented power. It feels like an old familiar friend, just like the analog console you're currently using. It's hard to imagine this much power with such a short learning curve, and such a small footprint.

The WR-DA7 provides everything you need for easy flexibility. You get 32 inputs, 8 busses, 4-band parametric EQ (per channel) and moving faders. For the highest-quality sound, the Ramsa WR-DA7 comes with 24-bit A/D and D/A. Versatile expansion cards ensure state-of-the-art performance and flexibility, regardless of which digital format you choose. If you want the power, ease of use, incredible sound quality and, most importantly, the freedom of a digital board, give the WR-DA7 a long, hard look! At this price, it's a fantastic value! There's comprehensive MIDI communication, enhanced EQ and surround sound capabilities, and several other fantastic features guaranteed to keep the WR-DA7 on the cutting-edge of digital mixers for a long time to come!

- 32 channels/8buses/6 aux returns
- 4 bands of parametric EQ on every channel + 2 bands or parametric EQ on the aux returns
- Dynamics: Compression+Gate or Expansion on every channel.
- Delay up to 300ms on every channel
- 200 setting/library locations for Channel (50), EQ (50), Dynamics (50), Scenes (50)
- Surround capabilities
Automation: both snapshot and dynamic automation on moving faders
- 3 option slots for expanding the I/O capabilities

Back Panel:
- 16 mic/line inputs (1st 8 on XLR, 2nd 8 on TRS)
- 16 channel inserts
- 6 Aux sends/returns (1&2 on S/PDIF, 3 - 6 on 1/4")
- 2 track input on 1/4"TRS
- Monitor A and B outputs on 1/4"TRS connectors
- Record Outs on 1/4"TRS
- Main Outs on XLR
- Also: word clock, a 9-pin RS-422 serial port for the PC, a Mac serial connection, MIDI I/O, a D15-sub for the optional meter bridge & a footswitch input for controlling the talkback or punching in/out automation.

Fader Layers:
- Layer 1: Channels 1 through 16
- Layer 2: Channels 17 through 32
- Layer 3: Control of the 6 Aux sends/returns & Buses
- Layer 4: Custom/MIDI layer: You can have combinations of faders from the other 3 layers or use the MIDI faders for sending out controller data.


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